Brad Mehldau Lick Tutorial

This piano lesson will teach you how to play a common lick that you’ll hear in many of Brad Mehldau’s solos and recordings.

I teach private lessons via Skype. Send me an email me at JazzPianoConcepts@gmail.com if you’re interested in learning more.

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How to Play Like Brad Mehldau – Part 2 – Lesson In Right Hand Ostinato Practice

This short instructional jazz piano tutorial will help you learn to sound like the great Brad Mehldau by showing you some techniques that will help you learn to play melodies or improvise in your left hand while maintaing an ostinato in your right hand.

How to Play Like Brad Mehldau – Part 1 – Hand Independence Exercises

This short instructional jazz piano lesson will help you learn to sound like the great Brad Mehldau by showing you some techniques that will help you learn hand independence, which is of course an important part of Mehldau’s playing.

Top 10 Desert Island List

Here are the 10  pieces/albums that I would want to have with me on a desert  island if they were the only things I could ever listen to again. What are yours?

Brad Mehldau – Highway Rider

The Chopin Nocturnes

Oscar Peterson – Night Train

Rachmaninov Piano Concerto II

Harry Potter II Soundtrack

Brad Mehldau – Elegiac Cycle

Keith Jarrett – Standards, Vol. 1

Bill Evans – Village Vanguard Sessions

Erroll Garner – Concert By the Sea

Stephen Sondheim – Sweeney Todd: The Demon Barber of Fleet Street Original Broadway Soundtrack

Bud Powell’s Solo on “Celia” – Transcription by Greg Chen

I am very excited to post the first jazz piano transcription to the site for our free consumption! Thanks to Greg Chen for providing his beautiful work!!!

Bud Powell’s Solo on Celia

About Greg Chen:

Growing up in San Jose, California, pianist Gregory Chen first found his passion for music
in the works of classical greats such as J.S. Bach, Beethoven, and Chopin and at the age of thirteen fell in love with the sound of jazz, finding it to be a natural extension of his classical training. Soon, he was experimenting with and combining a variety of musical styles including funk, fusion, rock, gospel, and Latin music. By the age of eighteen, Gregory had already played at venues such as the Kennedy Center, Avery Fisher Hall – Lincoln Center, World Trade Center 7, Gramercy Theatre, Symphony Space in Manhattan, Puppets Jazz Bar in Brooklyn, the Jazz Showcase in Chicago, Jazz at the Bistro in St. Louis Missouri, Manchester Craftsmen’s Guild in Pittsburgh Pennsylvania, the American Jazz Museum “Blue Room” in Kansas City, and the World Association for Symphonic Bands and Ensembles in Cincinnati, Smoke Jazz and Supper Club in Manhattan, among other venues. He has appeared at the Monterey and San Jose jazz festivals, among others. Gregory has had the opportunity to perform with such jazz musicians as Wynton Marsalis, Lee Konitz, Candido Camero, Ambrose Akinmusire, Steve Wilson, Jon Gordon, Julian Lage, Bobby Watson, Anton Schwartz, and Mike Tomaro. He has studied with Garry Dial, Ted Rosenthal, Peter Horvath, Michael Zilber, Frank Sumares, and Pablo Mayor among others.

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